skitched-20071230-234115.jpgI'm in a philosophical mood. Got the flu, lack of sleep, an excess of stress, and the general feeling that I need to "get things done" before I have earned the right to enjoy life (though I will try to enjoy seeing old friends on the 31st).

Yesterday, or this morning, I published a list of materialistic wishes for 2OO8… now it is time for the a-materilistic, or rather the idealistic wishes I have for my family, friends and myself in the near and more distant future.

Surprises - After composing a list of idealistic "to-do's," I felt that no matter what you plan it's important to experience and be open to surprises. What life is worth living without them?

Financial success for my family & friends - as materialistic as it may seem, there is a clear correlation between success and happiness, and I wish this very much to the people I know, those that I don't know, and myself of course. Money not only makes the world go round, it makes for a better world.

Beware of the accelerator - I can't speak for other people, but I've noticed a clear trend with myself. I'm like a ball, when I start rolling, I go faster and faster, until it becomes hard to stop. This is true for my work, for my more artistic projects, even for depressive days. It's important to keep the balance, as theoretical as that may sound. Even if it feels "wrong" to stop sometimes, stop, and even if it feels wrong to work sometimes, work. It's a little connected to 'surprises' also.

No assassinations during the holidays - a minor point perhaps (is it?), but have you noticed that last year on this day, Saddam Hussein was executed, as was Benazir Bhutto a few days ago? A serious bummer, dude.

A better US president… perhaps - I think there is a complex interplay between what I would call macro-leadership and micro-management. Both are important, and one cannot exist without the other. The US makes a good case-study for observing the interplay between federal and state-politics. When Bush goes against the climate, you see plenty of bottom-up activity for improving the climate on a city or state-level. I would love a US president that is more moderate and appreciative of the complexities of international politics, terrorism, climate-change, world-hunger, world-disease, emerging economies, etc. But really, I just want people to fight for what they believe in, whether it be top-down, or bottom-up.

For myself:
A good job in 2OO8 - one that I enjoy doing and that teaches me skills that help me be a better project-manager.

My own company for 2OO9 onwards - not sure when and how this will manifest itself, but that is what I'm working towards.

skitched-20071230-113521.jpg

  • Cordless earplugs that are also headphones - imagine going to bed and blocking out your partner's snoring, and waking up to the sweet sounds of […insert your sweet sound here…].

  • Fluorescent permanent marker - to convert my non-pro Apple laptop-keyboard, into one that lights up in the dark.

  • A binder/folder that allows me to bind printed web-articles into an easy to read non-webzine.

  • A mobile (!) pad that allows me to draw on paper, which stores these drawings electronically, and allows me to later transfer them to my computer - saw this somewhere for €80, always regret not buying it.

  • Some kickin' clothes.

  • For my Laptop and iPod to last me through their 3rd year.

  • Anything on my wish-list.


For 2OO9
  • An Apple laptop that is as light and as thin as possible - So no disk-drive as that can be external. 3-4 USB-ports to compensate would be nice.

  • The next OS (10.6 or 11.0) from Apple.

  • An iPod with a nice screen and no phone - for music, video, books on the road.

  • A small car (unless I live in a big city, then a good rent-a-car service).

  • Orexin A.

  • More public wifi / or a pan-European service.

  • A Wii / DS and time to play it.

  • Some kickin' clothes.

skitched-20071230-014324.jpgJust a collection of films I enjoyed in 2007.

Eastern Promises - a tale of chasing dreams in cold, criminal London, of finding decency in filth. ★★★☆☆

American Gangster - a tale of value chain analysis and strategy, of pursuing the American dream, a dream that is different for everyone. A great soundtrack also. ★★★★☆

Knocked up - a tale of random accidents that lead to dramatic lifestyle changes, of growing up. A worthy successor to 40 year old virgin. ★★★★☆

Ratatouille - a tale of overcoming any challenge to pursue a dream. Inspired this blogpost a few months ago. ★★★★☆

Bender's Big Score - a tale that binds the whole series together. I was first sceptical but the ending made it all ok. One of the best "episodes" of the series ever. ★★★☆☆

Disturbia - a tale that has been remade over and over again. While I'm getting tired of Mr. LaBeouf, I have to admit that this is the best remake yet. ★★★☆☆

Little Children - a quiet tale of adults being children and children being adults. ★★★☆☆

The Prestige - a tale of pride and a complete disregard for the worthiness of love and people. Great, yet dark, and a hard to watch movie. Can't wait for Batman 2. ★★★☆☆

Freedom Writers - a tale of finding that inner spark in people, one of my most favourite activities in life. I also have a thing for Ms. Swank. Still a story-line that has been remade over and over. ★★★☆☆

Biggest disappointments for 2007
Spider-man - too crowded
1408 - unbalanced
Sunshine - copy of Event Horizon
Zodiac - 30 year long snore-fest
Hot Fuzz - oh, where for art thou, Shaun of the Dead?

skitched-20071230-011516.jpgGone with the Wind - a tale of survival, manipulation, machismo, and unconditional love. Thought Clark Gable was great in it, as was the black housekeeper, Hattie McDaniel. But definitely an undertone of male-to-female violence. ★★★☆☆

Breakfast at Tiffany's - a tale of random encounters, quirky characters and personalities, the disloyalty of cats, and how people can be like cats and vice versa. A story with very little plot, yet some jewels don't need a plot. ★★★★☆

Roman Holiday - a tale of wealth and poverty, the search for experiences, the difference that a haircut makes, how old media douchebags are just like new media douchebags, chatty italians, and moped-driving. Basically a rich princess going incognito in Rome. Didn't like it much, though the ending was somewhat touching. ★★☆☆☆

Marathon Man - a tale of endurance, family, greed, suspenseful shadows, hot women named Elsa, and how shaving the middle of your head (i.e. Lawrence Olivier creating a bald spot) makes for a pretty interesting disguise. Was exciting and had some terrific acting. But… is it safe? ★★★★☆

Casablanca - a tale of love, loyalty, honour. The romance that inspired many a celluloid romance. Here's looking at you, kid. ★★★★★

On black & white pictures
Never has black seem so black, white seemed so white. There's something basic about black & white movies, it brings forth the concept of good and evil in very minimalist way. At the same time, the greyness that is life comes across also, impossible to see perhaps with the stark contrasts that some of the more current colour-flicks present.

I'm not a big lover of self-help books. My favourite quote of all times regarding this topic is from a movie called "School for Scoundrels," and goes something like this:

"How can you help yourself, when your self sucks?"
Indeed.

My attitude towards "The War of Art" is not much different. I actually bought it as a gift for an artist that I know, realising shortly after that giving a book on creativity to an artist is about as useful as giving a book on parenting to an grandmother… or something to that effect.

So I started reading it myself. I call this a "mid-book-review," because I don't like reviewing whole books, rather I prefer writing what comes up from however many pages I read. Also, the first half of The War of Art is quite monotonous and, I would say, masochistic to read.

The first 70 or so pages are all about the barriers or resistance we encounter before we create. Essentially nearly every page describes another type of resistance: drugs, jealous people, procrastination, etc. If I were to read this book for myself, I would feel more and more beads of guilty sweat streaming down my back. My god, how badly I've been treating myself over these years trying to produce a thesis.

There must be some pedagogical law that guilt is not the best teacher. But ok… after reading about ca. 30 guilt-inducing types of resistance, I skipped this part and went straight to the good stuff. How to be a professional artist.

Now, I haven't read much—this is a mid-book review after all—but I think the gist of being a professional is discipline. Getting up early, going to your office (wherever that may be), and producing. But that's not all.

My artist-aquaintance is actually a tremendous producer. She produces paintings like a factory. But she does not get paid. And that I think is the other side of being a professional artist—the paycheque.

From what I can see, The War of Art is meant well. It's meant as a kick in the ass. But, just like all self-help books, it does not actually do the kicking, rather it's you that's meant to kick yourself… easier for some than others.

What is needed then is a framework, a recipe that people can follow to indeed transform into the professional artists they are meant to be. I have not yet found anything resembling that in this book. Instead, just like, I guess, the book, whose title it was inspired by, The Art of War, it is a collection of advice and up to the reader to follow and consult it again and again over the years. When the productivity is falling… what is that resistance? Ah yes, time to kick my ass again.

But I still have to finish the book before I can give a final judgement. If, incidentally, this final judgement is not printed on my blog, then you know how much, or rather, how little there was to say about the final 70, or so, pages…

Some eternal truths, I've learned myself, from producing what seem like countless pages for my thesis, include:
  • After a while you enter the zone. It takes around 30 mins to 1 hour then your set to go. I can work for hours on end after that.

  • The more your practice, the easier it is to enter a zone. Ever since I started blogging, I've essentially been writing creatively for several hours a day. And I can produce a piece of text fairly quickly, and get into the zone after a few mins already. And I notice the same when you draw on a daily basis or do whatever art you want to do. It all eventually gets easier, and that's why a daily discipline is important.

  • Balance is vital. Nothing sucks as much as working your ass off, not quite finishing what you planned (perfectionist), and the only reward there is is the lonely tv, the only thing still "awake" in the middle of the night. Instead, people and experiences are the reward. These experiences also recharge you way more than a workaholic lifestyle ever could. Breaks are, as paradoxical as it may seem, vital to becoming a true workaholic—one who gets intoxicated by his work, sometimes referred to as loving his work.

  • Little triggers matter. The greatest trigger ever? Feedback. Packaging your work into little chunks which people can evaluate really helps here. And getting feedback really forces you to create better work.

  • It's all about the paycheque. You could say this doesn't apply to a thesis, but it does. A thesis is a piece of work that will be a reference for future job-applications for a long time. It will also help in managing future creative projects that do pay. So it really helps to factor that into the schedule: you are producing, not for the art itself, but because you want to achieve something. What that is is up to you and varies from project to project, but ultimately financial reward—direct or indirect—is a great motivator, not to mention fuel for the engine allowing for the creation of more things.
Some, not all, of these tips come from the only self-help book that did not make me feel guilty. Neil Fiore's "The Now Habit".

For now, my recommendation is: if you want to create, just do it. Don't waste time, build up a daily discipline, reward the little successes, get lots of feedback along the way, and always remember to get paid. And if you want to learn, then learning from doing is usually a better choice than learning about learning.


 

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